Loop Fair Barcelona

With (in order of appearance) : Sandy, Irene, Jose, Dinora, Anita, Floyd, Robert, Leon, Frank, Selma, Nancy

Directed by Julien Discrit
Produced by Christophe Acker and Julien Discrit
Executive Producer : That Film
Written by Julien Discrit

Cinematography by Christophe Acker
Sound by Gary Day
Edited by Christophe Acker and Julien Discrit
Post-production sound by Clément Chauvelle

Original Music by Julien Discrit

Additionnal music:
"An Empty Bliss Beyond This World"
Written and Performed by The Caretaker
(P) 2011 History Always Favours the Winners
Courtesy of History Always Favours the Winners

"Gracias a la Vida"
Written by Violeta Parra
Performed by Mercedes Sosa
(P) 1971 Phonogram S.A.I.C.
Courtesy of Universal Music Group

Filmed at Town Square® The George G. Glenner Center, San Diego, CA. USA

Special Thanks to: The participants and families of The George G. Glenner center, The staff of Town Square® facility, Scott J.Tarde, Lisa D. Tyburski, Gloria de Aragón Baker and Bella Buenrrostro. Mélissa Demontigny Hinkin and her lovely family. Julie Ripoll, Alliance Française de San Diego, Olivier Le Falher and french cultural services of New York City. Laurence Maynier, Caroline Cournède. Anne Stenne, Angèle Levet Stenne, Samuel Levet Stenne, Héctor Castells, Florence Cohen, Anne-Sarah Bénichou, Louise Daviot , Olivia Grandperrin.

Produced with the support of DRAC Île-de-France, Villa Albertine, Fondation des Artistes, Paris

©2025 Julien Discrit/That Film
All rights reserved

This film is dedicated to all the participants who have left us, and to their loved ones

In loving memory of André Roblet

Edited Memories takes us inside a memory care center for people with Alzheimer's disease in San Diego, California. Built on the principles of reminiscence therapy, the facility recreates a complete 1950s-60s environment - diner, local pub, pet store, public square - designed to provide an immersive experience. Everything here is fabricated, or rather, everything is fiction. The film observes this unusual therapeutic setting where artificial décor blends with residents' authentic memories, blurring the line between documentary and staged performance. The words we hear, repetitive and fragile, expose the place's essential ambiguity: care facility or film set? Patients or actors replaying their own lives? Through deliberate editing choices, this confusion turns the center into a soundstage where memory becomes performance, where remembering merges with its therapeutic reenactment. The film asks what happens to our life stories when memory fails, when recollections fade—suspended between lived experience and constructed narrative. Yet it seeks to reveal what remains: each person's irreducible singularity.