Rerun Nature

The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi. The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.

The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

Light Diffusion is a series of paintings that makes the link between white Light and visible light.
Through the articulation of color and brush dots, the artist tries to interpret of the passage of white light through the earth’s atmosphere. The particularity of this phenomenon is that it diffuses the light in such a way that it appears primarily blue.

In the Exosphère series Cyrielle Gulacsy continues her pictural exploration based on natural phenomenon, especially on the very essence of light.
The "Exosphere" refers to the most external layer of the atmosphere, which reaches the void of interstellar space. Despite the black appearance of the canvas' surface, it is indeed the light that the artist focuses on, by painting these different dots. The lack of atmosphere in this stratum prevents the light from releasing, which explains the dark, almost black aspect.

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The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.