« ... et des échelles pour les oiseaux »

To produce this artwork, Chourouk Hriech used birds drawn by the ornithologist John James Audubon between 1827 and 1839 in The Birds of America. She positions theses coloured animals in front of a vertical, brutalist and modernist architecture, to establish a temporal contrast between the two objects. Hence, the artist emphasizes on the appropriation of knowledge and notably of these birds' images, by questioning the loss of meaning that our modern societies generate to the naturalist's original motives.

To produce this artwork, Chourouk Hriech used birds drawn by the ornithologist John James Audubon between 1827 and 1839 in The Birds of America. She positions theses coloured animals in front of a vertical, brutalist and modernist architecture, to establish a temporal contrast between the two objects. Hence, the artist emphasizes on the appropriation of knowledge and notably of these birds' images, by questioning the loss of meaning that our modern societies generate to the naturalist's original motives.

In this drawing, Chourouk Hriech invents a floating world similar to Japanese landscapes, where vegetation, animals and geometrical shapes come together through a process of ornamentation akin to cave painting. Without representing them, she suggests through the lines, birds that are flying away. Hence, she creates a continuity between the kimono fabric, and the animal wings spread.

To produce this artwork, Chourouk Hriech used birds drawn by the ornithologist John James Audubon between 1827 and 1839 in The Birds of America. She positions theses coloured animals in front of a vertical, brutalist and modernist architecture, to establish a temporal contrast between the two objects. Hence, the artist emphasizes on the appropriation of knowledge and notably of these birds' images, by questioning the loss of meaning that our modern societies generate to the naturalist's original motives.

In this drawing, Chourouk Hriech invents a floating world similar to Japanese landscapes, where vegetation, animals and geometrical shapes come together through a process of ornamentation akin to cave painting. Without representing them, she suggests through the lines, birds that are flying away. Hence, she creates a continuity between the kimono fabric, and the animal wings spread.

In this drawing, Chourouk Hriech invents a floating world similar to Japanese landscapes, where vegetation, animals and geometrical shapes come together through a process of ornamentation akin to cave painting. Without representing them, she suggests through the lines, birds that are flying away. Hence, she creates a continuity between the kimono fabric, and the animal wings spread.

In this drawing, Chourouk Hriech invents a floating world similar to Japanese landscapes, where vegetation, animals and geometrical shapes come together through a process of ornamentation akin to cave painting. Without representing them, she suggests through the lines, birds that are flying away. Hence, she creates a continuity between the kimono fabric, and the animal wings spread.

Birds are a recurrent pattern in Chourouk Hriech?s work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

Birds are a recurrent pattern in Chourouk Hriech's work, symbolizing the spiritual and realisation of the drawing as a trajectory. Working exclusively in black and white, the artist chooses to draw these dazzling and phantasmatic animals in colour for the first time. Confronted to the loss of species, she intends to change her artistic habits to emphasize on the emergency of their situation.

In A day to draw #1, Chourouk Hriech depicts a lush landscape without genuine depth, and where the perspectives intertwine, associating vegetable and animal worlds. In this context, the artist is interested in the birds located at the bottom-left, which seem to look for their pathway before flying away in this world equally fantasized than composed by elements of our times. Considering the drawing as a trajectory, she depicts an overview of the human history through the observation of these birds and proposes a reflection about the loss of the natural essence of elements caused by our modern era.